每个导演的个人风格都十分鲜明陈凯歌和赫尔佐格的两段本质上是不同形式下的同一主题:不可阻挡的时代浪潮之中十分钟千年已逝第二个婴儿的故事有没有让你想到多年后的《无码任你躁久久久久久在公共场所》斯派克李依然在愤怒I get it. 结果看完全部故事我发现我最喜欢的是贾木许那一段我就知道完蛋了这潜意识的文艺小资气质到底怎么救可以安心躺平了
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Filters were used to distort the images of Warsaw, creating a raw, unattractive image. Kieslowski credits his cinematographer, Slawomir Idziak for this deliberate visual unattractiveness within the film stating, “I sense that the world is becoming more and uglier, I wanted to dirty this world”.